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It is at this very moment the library door is suddenly flung open, and Jenkins appears upon the threshold, with his face as white as nature will permit, and his usually perfect manner much disturbed. "Sir Nicholas, can I speak to you for a moment?" he says, with much excitement, growing positively apoplectic in his endeavor to be calm. "When he held the pistol to your forehead, didn't you scream then?" asks Violet. "Who has taken my orders about the sheep?" he says, in a loud voice, and in an imperious tone, his eyes growing bright but uncertain. "Tell Grainger to see to it. My father spoke about it again only yesterday. The upper pastures are fresher—greener——".
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"Mona! Are you crying for me?" says Paul Rodney, as though surprised. "Do not. Your tears hurt me more than this wound that has done me to death." Mona, who has again been dancing with the duke, stopping near where the duchess is sitting, the latter beckons her to her side by a slight wave of her fan. To the duchess "a thing of beauty is a joy forever," and to gaze on Mona's lovely face and admire her tranquil but brilliant smile gives her a strange pleasure. "No, I shall pursue it to its end," returns, he, with slow malice, that makes her heart grow cold, "until the day comes that shall enable me to plant my heel upon these aristocrats and crush them out of recognition." Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney!.
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